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"You have to bear in mind that [Questlove] is one of the smartest motherf*****s on the planet. His musical knowledge, for all practical purposes, is limitless." --Robert Christgau
MO' META BLUES
The World According to Questlove
Mo' Meta Blues is a punch-drunk memoir in which Everyone's Favorite Questlove tells his own story while tackling some of the lates, the greats, the fakes, the philosophers, the heavyweights, and the true originals of the music world. He digs deep into the album cuts of his life and unearths some pivotal moments in black art, hip hop, and pop culture.
Ahmir "Questlove" Thompson is many things: virtuoso drummer, producer, arranger, Late Night with Jimmy Fallon bandleader, DJ, composer, and tireless Tweeter. He is one of our most ubiquitous cultural tastemakers, and in this, his first book, he reveals his own formative experiences--from growing up in 1970s West Philly as the son of a 1950s doo-wop singer, to finding his own way through the music world and ultimately co-founding and rising up with the Roots, a.k.a., the last hip hop band on Earth. Mo' Meta Blues also has some (many) random (or not) musings about the state of hip hop, the state of music criticism, the state of statements, as well as a plethora of run-ins with celebrities, idols, and fellow artists, from Stevie Wonder to KISS to D'Angelo to Jay-Z to Dave Chappelle to...you ever seen Prince roller-skate?!?
But Mo' Meta Blues isn't just a memoir. It's a dialogue about the nature of memory and the idea of a post-modern black man saddled with some post-modern blues. It's a book that questions what a book like Mo' Meta Blues really is. It's the side wind of a one-of-a-kind mind.
It's a rare gift that gives as well as takes.
It's a record that keeps going around and around.
- Sales Rank: #44556 in Books
- Published on: 2015-05-12
- Released on: 2015-05-12
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .88" w x 5.25" l, .0 pounds
- Binding: Paperback
- 288 pages
Review
"Attention White Girls: Stop reading about vampires and read what Questlove has to say instead. Mo' Meta Blues is a magical kaleidoscope about a high concept, low maintenance genius named Ahmir. Like him, it's smart, funny, sweet and in a thousand places at once. Read it or rot on your vine."
--Amy Poehler
"Questlove is an artistic giant and spiritual genius whose roots go back to Curtis Mayfield and so many others. This book is a gem to read and a joy to feel! Don't miss it!"
--Dr. Cornel West
"I truly love this book. I felt like I was having a conversation with Ahmir, and I may have even said aloud a few times, "What? No way!" It's everything I want to know about someone who is obsessed with music...his love for music (contemporary/revolutionary/cool) is tireless. I am forever a fan of Questlove's fanaticism."
--Fred Armisen
"A busy thicket of musical geekery . . . likable . . . funny . . . MO' META BLUES has an open-mike, improv-night spirit . . . The end pages on my copy are crammed with song titles; they resemble the back of a popular girl's senior yearbook." --Dwight Garner, New York Times
"Smart, funny, insightful . . . [The] joy of this book is getting to live inside Questlove's jam-packed, restless brain for a while . . . Four stars." --Rolling Stone
"MO' META BLUES isn't just a memoir. It's a dialogue about the nature of memory and the idea of a postmodern black man saddled with some postmodern blues. It's the side wind of a one-of-a-kind mind. It's a rare gift that gives as well as takes. It's a record that keeps going around and around.
"[MO' META BLUES] is incredible . . . [Questlove is] one of the more unabashed music geeks to ever walk the earth . . . a student of music and pop culture. But, as the book demonstrates, Thompson is also a wonderful storyteller." --Pitchfork.com
"A thoughtful, incisive analysis of hip hop-and pop music in general-from one of its foremost contemporary architects . . . a book with as much warmth, heart, and humor as introspective intelligence. Fanatics and newcomers to the music will both find plenty of revelation here." --Kirkus Reviews (starred review)
"A hip hop thinker with historical perspective . . . an excellent book." --Philadelphia Inquirer
"After reading it, you'll feel like you know Questlove. The book is intimate and funny. Plus, you'll come away with a crash course in hip-hop history." --NPR.org
About the Author
Ahmir "Questlove" Thompson is the drummer and co-founder of the Grammy award-winning hip hop band The Roots. He's also a world-renowned producer, arranger, songwriter and The Tonight Show with Jimmy Fallon bandleader.
Ben Greenman is an editor at The New Yorker and author of several acclaimed novels, including Superbad, Please Step Back, and The Slippage. As a journalist and critic, he has written widely on music and pop culture.
Most helpful customer reviews
50 of 54 people found the following review helpful.
"Hip-Hop is something old, something new, something borrowed and something blue"
By Jason S. Stokar
The title of this review is taken from a line in this memoir, and is delivered by Questlove's manager Rich, who appears throughout the book as somewhat of a music "Sensei" to the prolific drummer. Applying this proverbial phrase to Hip-Hop really struck a chord with me. It fits perfectly: Hip-Hop is the culmination of so many musical genres before it, it spearheads the future of popular music, samples (borrows) from great songs and styles, and lyrically continues the tradition of the 'blues' with expression of struggle and doubt.
I was indecisive on rating this book three or four stars, but ultimately "rounded up" because I feel it's more difficult to write about a modern musician than one from decades ago, say, a Carole King (whose auto-biography is a "must-read" for any music fan: A Natural Woman: A Memoir). Also, rock star Marilyn Manson once said in an interview, "I try not to explain my music, I let my music explain me". I think that wisdom applies here as well -- while the writing is interesting, I believe Mr. Thompson's music is the true 'World According to Questlove".
What I like about this memoir is he covers a lot of ground by moving quickly. It's evident that if permitted, he could write an Epic about music that has inspired him over the years. Instead, it seems that he is forced to select one album per year of his life in a recurring segment called "Quest Loves Records". Additionally, he discusses in great depth both the artistry and political sides of the music industry (e.g. the art of reconciling an underground and commercial sound, the effect of bouncing around major labels, the process and goal of the band when crafting each of their albums).
One of the highlights of the book is when he attends Prince's post-Grammy Rollerskating party. It's great for a few reasons: 1) Questlove talks about Prince a lot throughout his memoir, and it is clear Prince is a huge influence on his life. 2) Without revealing any spoilers, let's just say this party includes Eddie Murphy, and what occurs will undoubtedly conjure up associations with the "Charlie Murphy" segment of these two celebrities on the Chappelle Show (on which, of course, Questlove served as musical director).
One of my criticisms of the book is that he tells so many stories and industry briefings that they begin to seem anecdotal instead of notable. And, though not too frequently, I felt myself at times getting impatient with his nearly obsessive analysis of musical direction. The fragmented narrative voice (linear storytelling, conversations with Rich, e-mails from Ben Greenman, etc.), which is clearly intentional, seems disruptive at times.
However, all and all, I would absolutely recommend this read. The reader will learn a great deal about the industry and the photos are a trip (look at the one of Questlove age 6 rockin' a huge Afro and tell me he ain't bad). And, despite the incredible career of Questlove up to this point, I still believe he is constantly maturing as an artist and the best is still yet to come.
19 of 19 people found the following review helpful.
Great Read
By Kala Ellis
I love this book. It's like a short history of hip hop, The Roots, Questlove, and more. He brings up so many good points. Music is a language. It's always communicating something. This book gives an honest and clear look at where hip hop came from, where it might be going, the dilemmas and joys of music-making and movement-making, and all the important questions at hand. I am in love with the perspective and appreciate for music shown by Questlove. I am a music teacher, and as such, his use of albums like textbooks is perfection to me. I am so excited about this book. And what's more, it's an easy and enjoyable read. You won't want to put it down!
"The exceptions don't prove the rule. They shame it. They banish it." ~ Ahmir "Questlove" Thompson, pg. 56
13 of 13 people found the following review helpful.
Rebirth at St. Albans
By The Prissy Snob
"Music has the power to stop time but music also keeps time."
Mo' Meta Blues was a delightful musical journey. Sure Thompson shared the details of his life but it was more like the soundtrack of his life.
I appreciated the fact that this book was not structured like a chronological biography. There were memos from the publisher, footnotes from The Roots comanager, and extended playlists spread throughout the text.
"When you live your life through records, the records are a record of your life."
There was not a time when music was not apart of Thompson's life. His parents had a band and Thompson likened them to Johnny Cash and June Carter. Thompson was tapping out patterns at eight months old which blossomed into a drumming career. He obsessed over album reviews and covers. The small details and obscure facts that he shared throughout the book about certain pieces of music, groups, and individuals kept the book interesting.
It is no secret that Thompson is a Prince fan and his affinity for the artist is as prominent in the book as is his presence in The Roots band. The Roots individually and as a band come together and take shape in the text but those experiences do not overshadow or dominate. It's quite obvious that Ahmir and Tariq "Black Thought" are total opposites but make for a great balance within the band. Only a few weeks prior to reading this book I found out that Scott Storch was an original member of The Roots. Thompson mentioned Storch but considering his rise and fall in hip-hop I expected and wanted more details in regards to their relationship.
This would not be a legit hip-hop memoir unless the Source Music Awards of 1995 were mentioned. Thompson referred to the show as hip-hop's funeral. While making a swift exit from the show, Thompson was given a demo cassette of an artist who would leave his mark on neo-soul and R & B music for years to come. That artist was D'Angelo. The highlight of the bio was how Thompson came to know local Philly youngsters before they became the famous neo-soul artists we are now so familiar with. How he described meeting Alicia Keys had to be my favorite celebrity moment of the entire book.
Thompson has a wealth of knowledge about music that is astonishing but was in no way hubris in his presentation. The footnotes provided by The Roots comanager, Rich, gave even more depth to the narratives. The ending was a bit abstract which was my only complaint with the book.
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