Ebook Download Sound Design and Science Fiction, by William Whittington
Now, exactly how do you understand where to get this e-book Sound Design And Science Fiction, By William Whittington Never mind, now you could not go to guide shop under the intense sun or evening to look guide Sound Design And Science Fiction, By William Whittington We right here constantly assist you to find hundreds sort of e-book. Among them is this book qualified Sound Design And Science Fiction, By William Whittington You could go to the link web page given in this set and also after that go for downloading and install. It will not take even more times. Merely connect to your web accessibility as well as you could access the book Sound Design And Science Fiction, By William Whittington on-line. Obviously, after downloading and install Sound Design And Science Fiction, By William Whittington, you could not publish it.
Sound Design and Science Fiction, by William Whittington
Ebook Download Sound Design and Science Fiction, by William Whittington
Just how an idea can be obtained? By looking at the celebrities? By visiting the sea and looking at the sea interweaves? Or by checking out a book Sound Design And Science Fiction, By William Whittington Everyone will certainly have certain particular to acquire the motivation. For you that are passing away of publications and always get the motivations from publications, it is really wonderful to be here. We will reveal you hundreds collections of guide Sound Design And Science Fiction, By William Whittington to review. If you similar to this Sound Design And Science Fiction, By William Whittington, you can likewise take it as your own.
Poses currently this Sound Design And Science Fiction, By William Whittington as one of your book collection! But, it is not in your cabinet collections. Why? This is the book Sound Design And Science Fiction, By William Whittington that is provided in soft file. You can download and install the soft file of this magnificent book Sound Design And Science Fiction, By William Whittington currently and in the link given. Yeah, different with the other individuals who seek book Sound Design And Science Fiction, By William Whittington outside, you could get much easier to present this book. When some individuals still stroll right into the store and also search the book Sound Design And Science Fiction, By William Whittington, you are below only stay on your seat as well as get the book Sound Design And Science Fiction, By William Whittington.
While the other individuals in the store, they are not sure to discover this Sound Design And Science Fiction, By William Whittington directly. It might need more times to go establishment by establishment. This is why we expect you this site. We will offer the best way as well as recommendation to get guide Sound Design And Science Fiction, By William Whittington Even this is soft file book, it will certainly be simplicity to lug Sound Design And Science Fiction, By William Whittington any place or save in your home. The distinction is that you may not need move the book Sound Design And Science Fiction, By William Whittington place to location. You may require just duplicate to the various other gadgets.
Now, reading this spectacular Sound Design And Science Fiction, By William Whittington will certainly be less complicated unless you get download the soft documents below. Merely right here! By clicking the link to download and install Sound Design And Science Fiction, By William Whittington, you could begin to get the book for your very own. Be the initial owner of this soft data book Sound Design And Science Fiction, By William Whittington Make distinction for the others and get the first to step forward for Sound Design And Science Fiction, By William Whittington Here and now!
Sound is half the picture, and since the 1960s, film sound not only has rivaled the innovative imagery of contemporary Hollywood cinema, but in some ways has surpassed it in status and privilege because of the emergence of sound design. This in-depth study by William Whittington considers the evolution of sound design not only through cultural and technological developments during the last four decades, but also through the attitudes and expectations of filmgoers. Fans of recent blockbuster films, in particular science fiction films, have come to expect a more advanced and refined degree of film sound use, which has changed the way they experience and understand spectacle and storytelling in contemporary cinema. The book covers recent science fiction cinema in rich and compelling detail, providing a new sounding of familiar films, while offering insights into the constructed nature of cinematic sound design. This is accomplished by examining the formal elements and historical context of sound production in movies to better appreciate how a film sound track is conceived and presented.Whittington focuses on seminal science fiction films that have made specific advances in film sound, including 2001: A Space Odyssey, THX 1138, Star Wars, Alien, Blade Runner (original version and director's cut), Terminator 2: Judgment Day and The Matrix trilogy and games-milestones of the entertainment industry's technological and aesthetic advancements with sound. Setting itself apart from other works, the book illustrates through accessible detail and compelling examples how swiftly such advancements in film sound aesthetics and technology have influenced recent science fiction cinema, and examines how these changes correlate to the history, theory, and practice of contemporary Hollywood filmmaking.
- Sales Rank: #15511227 in Books
- Published on: 2007-02-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.00" w x 6.00" l,
- Binding: Hardcover
- 288 pages
Review
"Sound Design is a major achievement in film studies that should be widely read as a general introduction to the underappreciated art and practice of sound. Whittington makes a compelling case for the centrality of sound to the modern Hollywood aesthetic. While surveying the evolution of sound technology, post-production practices and design in seminal science-fiction films of the last forty years, he concurrently provides a comprehensive introduction to the various components of the soundtrack and how they create meaning. He carefully defines terms such as Foley and source music not just in a glossary but as they arise, in such a way that the book can serve as a textbook on sound design in general, not just on the one genre...given the brilliant research that has been devoted to the transition to sound, I am particularly excited that Whittington has chosen to focus on more recent developments." Elisabeth Weis, Screen 2008, issue 49
About the Author
WILLIAM WHITTINGTON is Assistant Chair of Critical Studies at the University of Southern California in Los Angeles.
Most helpful customer reviews
8 of 9 people found the following review helpful.
Sound and two Blade Runners
By sjedis
I'm one of those picky people when it comes going to the movies. I always go early and only to specific theaters to make sure I get the best seat. I want to see a movie the way it was meant to be seen. After reading William Whittington's Sound Design & Science Fiction Film, I realized that where I sit is just as important if you want to hear the film the way it was meant to be heard. I've also gained an appreciation for what goes into how I experience a movie.
One of the most enjoyable parts of this exploration is that it focuses on my favorite genre, science fiction. It's a logical choice for experimentation and certainly technological innovation, after all, what does a alien, a light saber, or a pod racer sound like? Ask Ben Burt. It is up to the imagination of the designers like Burt to create the realities of that imagined universe. It's been 30 years since I saw Star Wars for the first time, but the sensation of the opening as Vader's ship passes, seemingly, overhead and onto the screen is still crystal clear.
While Whittington explores the development of the sound design through films like THX 1138, Star Wars, Exterminator II, Alien, and the Matrix, my favorite chapter is the one on the two Blade Runners, one of my favorite films. I have my own issues with director's cuts and though I loved the visual sensation, music, and the Sam Spade-like voiceover of the original 1982 version, I almost wish I hadn't seen Blade Runner until the director's cut came out in 1992. But, it's like the judge asking the jury to disregard the previous statement, it took some convincing for me to see how the basic elements of the story had changed.
Whittington goes carefully through both versions of the film and, skeptical the whole way, I had to re-examine my own memory of the story. Gradually I realized that not only were there two different stories, with basically different Decker's, but that the majority of the transformation comes from the sound design itself. Removing the voiceover and allowing the story to reveal, not explain the events, fundamentally changes the story and leaves open questions about Decker himself. Is he a replicant? Are his memories more real then those of Rachel? Those issues, unambiguous in the original version, are much more in the style of author, Philip K. Dick.
Okay, you may not be interested in re-examining your view of Blade Runner; the way I was. Apparently, I was one of the few people who saw it the first time out. But, if you are curious and enjoy movies, this book will give you insight on the changes in sound within the film industry and in how we experience that when we view films at home or in the theater. On the other hand, if you're one of those hopeful future filmmakers it will give you a broader perspective on the power of sound as an integrated element of film. As for me, I'll just have to make sure I get the best seat in the theater, and give this director's cut a chance.
5 of 6 people found the following review helpful.
Challenging and rigorous
By Jeffrey C. Brown
I'm teaching "Sound Design in Science Fiction and Horror Films," and so was of course delighted when I came across this book. Academically sound and insightful, I had a sophomore the other day come up after class and say "I really like this book. I thought it was going to be boring, but it's really interesting." High, high praise. It's much more of a thematic, conceptual exploration than any kind of a "how-to" or even "how they did it," so if you're looking for information on how to create sound design for science fiction, this isn't your book. But if you are interested in examining, for instance, how in science fiction "the sonic landscapes begin to emphasize a greater uneasiness in relation to technology, scientific breakthroughs and the future" with some specific illustrations from movies like Alien, 2001, and Star Wars, then this book is for you. This is an area of study that could use a lot more books like this! Sound design studies, to the front. Next we need the same kind of treatment for Horror films.
0 of 0 people found the following review helpful.
Fantastic
By Timothy Dutton
Extremely academic, which is just what I was looking for. A nice compilation of a lot of information from a lot of sources.
Sound Design and Science Fiction, by William Whittington PDF
Sound Design and Science Fiction, by William Whittington EPub
Sound Design and Science Fiction, by William Whittington Doc
Sound Design and Science Fiction, by William Whittington iBooks
Sound Design and Science Fiction, by William Whittington rtf
Sound Design and Science Fiction, by William Whittington Mobipocket
Sound Design and Science Fiction, by William Whittington Kindle
